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Snow, by Orhan Pamuk
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Review
“Not only an engrossing feat of tale-spinning, but essential reading for our times. [Pamuk is] narrating his country into being.” — Margaret Atwood, The New York Times Book Review “A great and almost irresistibly beguiling . . . novelist. . . . [Snow is] enriched by . . . mesmerizing mixes: cruelty and farce, poetry and violence, and a voice whose timbres range from a storyteller's playfulness to the dark torment of an explorer, lost.” — The New York Times “A major work . . . conscience-ridden and carefully wrought, tonic in its scope, candor, and humor . . . . with suspense at every dimpled vortex . . . . Pamuk [is Turkey’s] most likely candidate for the Nobel Prize." –John Updike, The New Yorker “From the Golden Horn, with a wicked grin, the political novel makes a triumphant return.” — Harper’s “Powerful . . . Astonishingly timely . . . A deft melding of political intrigue and philosophy, romance and noir . . . [Snow] is forever confounding our expectations.”–Vogue“A novel of profound relevance to the present moment. [The] debate between the forces of secularism and those of religious fanaticism . . . is conducted with subtle, painful insight into the human weakness that can underlie both impulses.” –The Times (London)“A work of artÉ Alternating between the snowstorm’s hush and philosophical conversations reminiscent of Dostoyevsky’s great novels, Snow proves a Étimely and gripping read.”–Minneapolis Star-Tribune“MarvelousÉ as quiet and transformative as a blizzard and as coldly beautiful.”–St. Petersburg Times“In Snow, Pamuk uses his powers to show us the critical dilemmas of modern Turkey. How European a country is it? How can it respond to fundamentalist Islam? And how can an artist deal with these issues? ... The author's high artistry and fierce politics take our minds further into the age's crisis than any commentator could. Orhan Pamuk is the sort of writer for whom the Nobel Prize was invented.” –Daily Telegraph“Part political thriller, part farce, Snow is [Pamuk’s] most dazzling fiction yet. One of the top books of the year.”–Village Voice“It comes as no surprise that political prescience should be yet another of the many gifts of Turkish novelist Orhan Pamuk. With Snow, Pamuk gives convincing proof that the solitary artist is a better bellwether than any televised think-tanker ... The work is a melancholy farce full of rabbit-out-of-a-hat plot twists that, despite the locale, looks uncannily like the magic lantern show of misfire, denial and pratfall that appears daily in our newspapers.” –Independent on Sunday“Pure magicÉ Snow is excellent.”–San Francisco Chronicle“‘How much can we ever know about love and pain in another’s heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation and more crushing disappointments than we ourselves have known?’ Such questions haunt the poet Ka . . . [in] this novel, as much about love as it is about politics.”–The Observer“Richly detailed . . . A thrilling plot ingeniously shaped . . . Vividly embodies and painstakingly explores the collision of Western values with Islamic fundamentalism . . . An astonishingly complex, disturbing view of a world we owe it to ourselves to better understand.”–Kirkus Reviews “Snow has already been a bestseller in Turkey - given Pamuk's stature as a novelist and the novel's content it could hardly fail to be. But what makes it a brilliant novel is its artistry. Pamuk keeps so many balls in the air that you cannot separate the inquiry into the nature of religious belief from the examination of modern Turkey, the investigation of East-West relations, and the nature of art itself ... All this rolled into a gripping political thriller.”–Spectator“Brilliant É Pamuk writes with such grace and deep respect for his conflicted characters that this rich novel passes like a dream, encompassing every aspect of love and belief.”– People
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From the Inside Flap
Dread, yearning, identity, intrigue, the lethal chemistry between secular doubt and Islamic fanaticism-these are the elements that Orhan Pamuk anneals in this masterful, disquieting novel. An exiled poet named Ka returns to Turkey and travels to the forlorn city of Kars. His ostensible purpose is to report on a wave of suicides among religious girls forbidden to wear their head-scarves. But Ka is also drawn by his memories of the radiant Ipek, now recently divorced. Amid blanketing snowfall and universal suspicion, Ka finds himself pursued by figures ranging from Ipek's ex-husband to a charismatic terrorist. A lost gift returns with ecstatic suddenness. A theatrical evening climaxes in a massacre. And finding god may be the prelude to losing everything else. Touching, slyly comic, and humming with cerebral suspense, "Snow is of immense relevance to our present moment.
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Product details
Paperback: 425 pages
Publisher: Vintage (July 19, 2005)
Language: English
ISBN-10: 0375706860
ISBN-13: 978-0375706868
Product Dimensions:
5.2 x 1 x 8 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
273 customer reviews
Amazon Best Sellers Rank:
#181,001 in Books (See Top 100 in Books)
The beauty of humanity is also its tragedy; that the world is non-linear, that it is made up of pluralities of opinions and ways of life; this should challenge the inhabitants to strive for peaceful co-existence, even in the face of conflicting attitudes and beliefs. This philosophy accommodates and respects views that differ. This is the ideal that should inform and guide whatever we do.Orhan Pamuk’s Snow is a modern day look at Turkey. Once referred to as the sick man of Europe, it became a modern republic after the fall of the mighty Ottoman empire, and Kemal Ataturk, the father of modern Turkey, envisioned a secular state more aligned with western ideals of modernity, and a brand of Islam that reflected this. Although it appears to expose some of the cruelties inflicted on religious conservatives by military, in a bid to promote modernity by any means, it is a story of a country coming terms with inevitable change in an evolving world, navigating its way through the parchments of culture, religion and external influences. It is also a story about the poet Ka, and his love for an old classmate, Ipek. It is about a love that never fully reaches its zenith, one that is negotiated in hotel rooms where the lovers bide tryst, whilst snow gently falls on the city of Kars. It is a love that is jealous and forgiving, cold and at other times burning with zeal, its Manichean temperament a reflection of Turkey itself, a land of paradoxes, beauties and mysteries.Ka’s search for truth, his sojourn into Kars, south of Istanbul, to investigate the suicide of several Muslim girls forced to remove their headscarves by law, leads him to witness the brutality of a military regime, whose charge to uphold secularism is ironically upheld by anti-democratic means. Is it possible that those who hold secular views and those with more conservative, religious reviews can co-exist peacefully in the same space? Parmuk does not answer this question. He gives us what he sees, and lets us draw our own inferences. In fact, one need only look at Egypt, where a democratically elected government, though conservatively religious, was voted in but subsequently removed by the army, to the tacit (and even overt) approval of secularists and those of other faiths. Was this right? Should the army have stood by while the Islamists, who were democratically elected, govern Egypt how they saw fit, even if this went against accepted Western archetypes of democracy? This is captured quite succinctly by Blue, a colourful character, suspected terrorist and die-hard conservative, whose amorous affairs sit so comfortably with his religious conviction:Will the West, which takes democracy, its greatest invention, more seriously than the word of God, come out against this coup that has brought an end to democracy in Kars? …Can the West endure any democracy achieved by an enemy who in no way resemble them? (Page 241)Pamuk’s Snow is ultimately a story of not just Turkey; it is a story of all of us -human, flawed, imperfect; some seeking to change things; others pining for things to remain as they are. Dialogue then becomes the essence of co-habitation, in this space of pluralities, where words differ, where appearances matter, and certain proclivities push the boundaries of what many see as logical and natural. As Derek Walcott put it, “the war between obsession and responsibility will never finishâ€.
Snow began as a very interesting novel that felt reminiscent of Kafka's The Castle. It had my attention for more than half. Surrounded always by falling snow, the poet Ka wanders alone to the ancient city of Kars. Political intrigue abounds, and religious worries. The settings are humble tea shops and dilapidated houses. There is a beautiful hotel keeper for Ka to fall in love with, a newspaperman who publishes stories of events still in the future, terrorists of several stripes, as well as many other interesting and surprising characters. The reader becomes immersed in a compelling dream of a remote and troubled land. Then comes the appearance of Sunay Zaim and his theatrical coup d'etat. This is what broke the spell for me. It allowed a sort of cartoon element in. The novelist from that point forward seemed to be working very hard to tie up his many plot lines and several late chapters were reduced to soap opera. I have to say I loved the first half but was badly let down by the second.
A slow read. I was taking a college course on Turkey, and our instructor highly recommended the book, so I ordered it. But after something like 200+ pages not only 24 hours had passed and it was always snowing, and I just found it boring, in spite of the many "insights" it may have offered into Turkey , particularly eastern Turkey. But I admit that many others really loved the book.
I've been reading this book for maybe a year now. I cannot pick it up, but I cannot put it down. My friend LOVED it, and I am trying. I will say that it stays with me, and I can leave it for weeks and come back to it and fall right back into it. The writing is superb, I really do enjoy that. The part that I can't get through is how peaceful it is about any of the activity, it does not grab me. I say that but I do wonder what will come of it. So I pick it up here and there, thoroughly enjoy the writing and wonder if I am reading the words correctly because there seems to be a fair amount of activity, significant activity, but the author and main character are very serene about it.I guess you can say I cannot wait to finish it. Maybe next year.
Orhan Pamuk is a great author, At times this novel reminded me of some of the great Russian novelists. The author creates great scenes where the snowy landscape itself almost is it's own character. You can feel the isolation and dreariness of this small Turkish town. It is a great insight into Islam both from an Atheists perspective and a theists perspective. The characters are all well developed and interesting. I don't usually go for poetry but the main characters poems are interesting and blend well with the story.
What really strikes me about Pamuk's writing, apart from beautiful language which makes things tangible, apart from existential deepness, apart from almost documentary picture he creates of the places his novels are set in, is the way he combines, mixes, interwines it all into one thick and colorful tissue: history, politics, psychology, philosophy, religion, love story. He absolutely stands alone
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