Senin, 30 Mei 2011

Free Download , by Yulia Tyutyunnik

Free Download , by Yulia Tyutyunnik

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, by Yulia Tyutyunnik

, by Yulia Tyutyunnik


, by Yulia Tyutyunnik


Free Download , by Yulia Tyutyunnik

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, by Yulia Tyutyunnik

Product details

File Size: 1977 KB

Print Length: 74 pages

Publisher: W.O.O. Women (June 28, 2015)

Publication Date: June 28, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B010MA8OQY

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Amazon Best Sellers Rank:

#61,048 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book is very helpful for anyone considering a beading or any other crafting business. It was short but very informative. It talked of all legal things such as needing a business license and also different avenues for selling your jewelry.

Have a sample which have good information but would prefer a hard copy instead ebook.

I have a desire to start a beading business with a niche that I have not found anywhere on the internet. This book is exactly what I was looking for to get started and motivated, thank you VERY MUCH Yulia!!

Disappointed Not much info

This is a compact, readable, and very useful guide for anyone who would like to start selling beaded items or other handmade projects. In very few words, the author manages to cover lots of essentials like getting a business license, dealing with tax responsibilities, purchasing materials, setting up a business (online or not), pricing sensibly, marketing, staying open and creative, shipping, etc. etc.The author concludes the book with a helpful Q&A chapter. I especially appreciated her discussion of the mistakes that people typically make in getting started. The book is written with teens as well as adults in mind, and though she focuses on the basic essentials, I found in inspiring.Highly recommended to anyone with a desire to have some fun, and with some good planing and effort, share it with others.

This is a great book for anyone interested in selling their beaded crafts/jewelry. It covers legal documents/licensing, inventory, marketing and work issues. It is very informative and useful. It is easy to read and organized well.

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Kamis, 12 Mei 2011

Ebook Florida, by Lauren Groff

Ebook Florida, by Lauren Groff

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Florida, by Lauren Groff

Florida, by Lauren Groff


Florida, by Lauren Groff


Ebook Florida, by Lauren Groff

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Florida, by Lauren Groff

Amazon.com Review

An Amazon Best Book of June 2018: Welcome to the captivating world of Lauren Groff’s Florida, where assumptions of sunshine state stories—smiling and sunburned children, relaxed parents, moments of unencumbered joy—are shattered and reassembled into a world of darkened forests, nighttime walks and ferocious storms. As Groff writes, Florida is “a damp, dense tangle. An Eden of dangerous things.” And, “Walk outside in Florida and a snake will be watching you.” There is a mythic quality to these eleven stories that explore the underbelly of life and the fury of nature. In spirit and in reality, mothers abandon their children, hurricanes and rainstorms ruin vacations--marooning children alone on islands--and as a reader you’re left to wonder if the destruction caused by humans is worse that the destruction caused by nature. Moody, rapturous and filled with crystalline prose, Florida is a menacing marvel of a collection. —Al Woodworth

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Review

"Lauren Groff is a great storyteller . . . Florida is restorative fiction for these urgent times. Its final gestures, even the most ominous . . . lean toward love and the promise of good people, in not just this state but the world." – New York Times "Something untameable lurks restlessly beneath the surface of this book. Groff’s incomparable prose pulsates with peril; its beauty, like that of the titular state itself, lies in a certain wild lushness." – Financial Times "These new stories are tight and contained, and they pulse with menace and feral energy." – Wall Street Journal "Florida is a gift to writers. . . . There is more than a little of David Lynch in Ms Groff’s Floridian landscape: exotic and bright, yet pulsing with hidden malevolence . . . Ms Groff’s writing is marvelous, her insights keen, each story a glittering, encrusted treasure hauled from the deep." – The Economist"As fine and beautifully crafted as any fiction she has written . . . . . [Groff] is one of the best writers in the United States, and her prize-winning stories reverberate long after they are read. In past years, the rare short story collection . . . has won the Pulitzer Prize for Fiction. Florida should be in the running next year." – LA Review of Books "Groff throws open the windows and turns off the A/C, mosquitoes and heatstroke be damned . . . Groff’s Florida may do the same thing for its readers: surprise and menace us, fascinate and sometimes frighten us, and leave the whole world fuller than it was before." – Slate  "Masterful. . . Amid the horror, wonder perseveres." – Esquire  "The gems here are like the Florida Keys: distinct islands, each beautiful in its own way. Meet a lonely runner, two lost sisters and a son growing up without his mother. Prepare to sweat, see snakes and get lost in a swamp. Groff’s depictions aren’t always pretty, but they’ll keep you turning the pages—and not just for the breeze." – People Magazine"[A] transcendent writer. . . [Florida] isn’t a short-story collection so much as an ecosystem." –The Atlantic"[Groff] stakes her claim to being Florida's unofficial poet laureate, as Joan Didion was for California."—Washington Post"Superlative collection — seriously, there’s not a dud in the bunch ... Groff is an extra terrific writer, as ever...Having followed an astonishing, astonishingly accessible novel with such an outstanding, accessible collection, Groff is surely poised to topple the tiny monkeys in charge of deciding that the perceived realm of the feminine isn’t sufficiently deep." – Boston Globe"Taken together, the stories have the feel of autobiography, although, as in a Salvador Dali painting, their emotional disclosures are encrypted in phantasmagoria . . . The sentences indigenous to Florida are gorgeously weird and limber . . ." – The New Yorker"The landscapes in the short stories are silty, rich, sun-bleached, cold as stone. They are strong characters of their own that will not be ignored." – Electric Literature "Impossible to put down." – Vox "Groff’s mythic almost gothic stories about Florida and domesticity and entrapment took me right back to the Bronte sisters . . . Masterfully made." – LitHub "You’re helpless to the power — the sheer virtuosity — of Groff’s evocative prose." – Entertainment Weekly "Groff is still on-brand. Her writing about relationships rarely sticks within the narrow, Updike-ian confines of domestic dysfunction, though. Even in short stories, she prefers broader canvases, and much of Florida is filled with hurricanes and other violent storms that run parallel to the personal crises she describes . . . Straightforward but moody and metaphorical — magical realism without the sparkle and sense of wonder." – Los Angeles Times "Groff’s Florida is touched by sublimity. It is an ‘Eden of beautiful things,’ glorious and decayed, attacked and altering." – The Rumpus"[The stories] overflow with imagery so powerfully tangible that it’s hard to believe the humidity and rainstorms aren’t truly escaping from the page to touch you . . ." – Chicago Review of Books "Florida gives off strong vibes of magical realism, where snakes, sinkholes and panthers in hidden Florida towns replace Gabriel Garcia Marquez’s Macondo with its yellow butterflies and ghosts." – Palm Beach Post"Brooding, inventive and often moving short stories . . .  In Groff's trademark zigzagging storytelling style, revelations ricochet between pages — and sometimes even within single sentences . . . Groff, through her own acrobatic style, attests to the benefits of a firm grounding in grammar and vocabulary. Lots of things go south fast in the stories collected in Florida — like marriages, careers and the weather — but throughout, Groff's gifts as a writer just keep soaring higher and higher." – NPR Fresh Air "Groff’s desire seems to be to show — in a frequently funny, sometimes painful and always deeply sensitive way — that women and children are often stronger than we tend to think, and that the Earth is more fragile than we usually allow ourselves to understand." – San Francisco Chronicle"Easily the year’s best story collection . . . these indelibly vivid tales read like inoculations against cynicism." – Vogue"[The stories] take on an inexplicably cohesive form with a sad-, beautiful- and naked-ness that reverberates in the mind long after the book is shut." – The Atlanta Journal-Constitution   "She hasn't lost a step since Fates And Furies . . . Groff's language is, as always, gorgeous and precise. Her ability to map the inner contours of characters who seem to exist entirely in extremis — and, almost entirely, within a fragile shell of feigned competence and normalcy — is remarkable. Her Florida is a frightening place that bends (solely through the eyes and experiences of her characters) into a discomfortingly modern Southern Gothic tradition. Her stories — all of them — are haunted." – NPR Books "Slime mold, a father killed by snake venom, a mother haunted by a deadly panther, and half-feral little girls abandoned on an island—these bizarre happenings could be set only in the Sunshine State, and be written only by Groff, the Gabriel García Márquez of Gainesville. Reading as required as insect repellent in a swamp." – O Magazine "Groff has grasped the true grotesqueness of Florida, an ‘Eden of dangerous things’ spliced with stinking bodies, living and dead. In her hands, Florida as state and state-of-mind becomes an alembic, cohering these discrete stories as perfectly as if they were written in one sitting . . . Florida is so much, perhaps too much. Florida is just enough . . . Groff’s powers transform that glut of vitality into something startlingly precarious and, even to a forsworn Floridian like me, something startling and precious." – The Millions "[Florida] evinces a deep comprehension and appreciation of the wildness that reaches from the state’s swamps and forests to inform even the most developed pockets of civilization. Life cannot be tamed here, Groff suggests, and the characters . . . feel the state’s inexorable, unsettling pull. The book is no less difficult to resist." – South Florida "Subversive, but quietly; it captures what’s mysterious about the inevitable, what’s bizarre about the inescapable . . . these narratives of young families, divorced couples, and unconventional women vibrate with something new . . . The rains in Florida are biblical to say the least. The margins between earthen and celestial routinely dissolve . . . Florida suggest that the relationship between humans and our planet—that home none of us chose—transcends the power struggle of dominance and submission." – The Paris Review "Masterful . . . Groff’s writing is stripped down and honed, with few extraneous words. She experiments with form without veering into gimmick or forsaking the power of language, which she expertly wields." – am New York "A weird, spooky love letter to Florida, by one of Obama’s favorite writers . . . Groff’s detailed descriptions are transportive; you feel like you’re there in the dank cabin or in the eye of the hurricane . . . And don't get us started on the snakes. Florida, man." – PureWow "This collection of 11 stories . . . speak to each other not in the light of the Sunshine State, but in the shadows. Groff’s world is a dark, strange one of tempests and terrors. Her characters . . . fall into loneliness and self-ruin at each turn." – Town & Country Magazine "Florida mesmerizes and unnerves." – Business Insider "A humid closeness that makes every twist of fate and new character feel intimately familiar . . . Each tale contains Groff's signature mixture of poetic beauty and visceral poignancy." – Harper’s Bazaar "As much plot and detail packed into. . .15 pages as you'll find in many novels. . . The whole world is Florida, paradise because it’s dangerous and dangerous because it’s paradise." – Tampa Bay"Filled with the mesmerizing, decadent language . . . the titular state looms as a setting of lush beauty and swift menace . . . Groff's storytelling has such ferocious energy."– Star Tribune "We would probably give a five-star review to Lauren Groff’s grocery list. Her language is beautiful, surprising, and always unfolding. Florida is a visceral story collection . . . told through a series of rich, layered characters . . . It’s as if you’re eavesdropping the whole time, peering in on lives vastly different from and yet so familiar to your own."– GOOP "If Barack Obama found time as president to read Fates and Furies, Groff’s third novel, you can clear a weekend this summer to read her follow-up. Florida is a blistering series of short stories set in a state where calm and intensity work hand in hand." – Conde Nast Traveler "Groff sidesteps Miami glitter for the sticky, snake-thick subtropics, the swamps and summer heat giving birth to an electrifying array of characters and worlds." –Vanity Fair  "Readers can practically feel the mosquitoes buzzing at their necks in stories Ms. Groff started writing a decade ago after moving to Florida . . . In her stories, predators bite, hurricanes destroy and nature does not forgive." –Wall Street Journal "A dangerous energy, buoyed by rich and unsettling details, run through the Fates and Furies author’s new collection as her characters face down snakes, hurricanes and their own self-destructive behavior." –Time Magazine "Think of the stories in Lauren Groff's collection Florida as gems. You'll want to revisit them over and over, and see how you'll react to them under different circumstances, different slants of light. But on a more basic level: Each story is exquisite." –Refinery29"Groff moves adroitly through an impressive range of lives, times, and places...The book stages an intriguing relationship between the individual and the collective." –Harper's Magazine"Groff fans will recognize the descriptive zest instantly. . . raw, danger-riddled, linguistically potent pieces. They unsettle their readers at every pass . . . A literary tour de force of precariousness set in a blistering place, a state shaped like a gun." –Kirkus, starred review

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Product details

Hardcover: 288 pages

Publisher: Riverhead Books; 1st Edition edition (June 5, 2018)

Language: English

ISBN-10: 1594634513

ISBN-13: 978-1594634512

Product Dimensions:

5.4 x 1 x 8.3 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

153 customer reviews

Amazon Best Sellers Rank:

#8,596 in Books (See Top 100 in Books)

I really can understand where people would really like...enjoy this novel of short stories. Unfortunately and overall it didn’t resonate with me.The difficulty was trying to pinpoint and explain why I did not enjoy this book. It’s very well written. The imagery is exceptional. Each story has a captivating beginning that draws you in...but I’m my opinion there are no true conclusions. Not sure if that was intentional...or I just didn’t get it...or the author was simply leaving it up to the reader to imagine what happened.I kept hoping the next story would be wonderful. Never happened...not once. I guess if I had to summarize my apathetic opinion about the book it’s just that I was looking for definitive ending to each story.Sorry...and in “conclusion” almost like a break up line. It’s not you...it’s me.

During a recent visit, Lauren Groff shared that when her husband proposed moving back to his native Florida, she, appalled, made him sign a contract that they would leave in 10 years years. That was more than 12 years ago. In the intervening years, she has come to love the state and all its weirdness, and even gave it the top acknowledgement for this, her excellent book of short stories. She knows she is a short story writer, having entered Amherst as an aspiring poet and having the intelligence to recognize that wasn't the path for her. She admits her forays into novels as an aberration (successful though those sidesteps may be), which explains why her stories are so rich, so immersive, and impossible to read in one gulp. They must be paced out. I've said in other reviews that when collections of short stories are good, they are hard work for a reader since it is like reading an entire shelf of well thought-out books, requiring more effort than say a 300 page novel.What each story has in common here is someone in difficulty, either women or children, usually in danger from forces of nature rather than from another human being. That's what gives these stories their originality -- the unpredictability, impersonality and power behind forces which one cannot control. There is much reference to literature that Groff holds dear (when asked, she responded that she read material she loved multiple times, e.g., she had read the first volume of Proust's Remembrance of Time Past at least 8 times but hadn't progressed to the other volumes), and one story delves into the personality of Guy de Maupassant. A very impressive collection from a more than impressive writer.

Lauren Groff is an artist. But instead of a paintbrush she uses words, and she does it with such amazing talent that those disparate syllables and sentences come together to create daring, brilliant images of Florida (and other places) in this collection of imaginative and often heartbreaking short stories. Because of her word artistry I saw the black snakes slithering in the swampy land. I could almost touch the Spanish moss hanging from the trees in dense clusters. I feared the alligators beneath the placid, shimmering water. I scratched at nonexistent mosquito bites. I felt the force of a hurricane's ravaging winds and dangerous, destructive floods.Each story is about both the external and the internal. The external is the raw brutality of nature in this swampy state. The internal is the human heart—be it good or evil, happy or enraged, beautiful or ugly. This is as much a story about the human state as it is the sunshine state.But be forewarned: Each of these stories is intense, much like little emotional explosions—so much so that I could only read one at a time and then had to close the book for a while before starting the next one. And that speaks to the power of the writing and the subsequent need for contemplation.

To start with this is an extremely well written piece. The author can really turn a beautiful phrase. The imagery is very vivid in each of the stories and you really get a sense of "place." The down side to that is that the jump from story to story is very jarring. There are some unifying themes in the stories, but it takes a minute when you start the next one to figure out what's going on. A lot of the stories were also just "middles," and felt out of context. In terms of the subject matter - it is dreary no doubt about that. There is a palpable sadness that runs through the entire book that becomes oppressive.

I’m not exactly a Lauren Groff evangelist, having been hit or miss with her novels, but this short story collection is DAMN GOOD.Maybe this is my preferred form for her writing. Her showy prose isn’t as distracting to me in the short story format: in fact, I kind of love it.The narratives in this collection share some commonalities beyond just location: the characters (often women) each endure calamities both external and internal. There’s a pervasive foreboding throughout: a teetering on the edge of something dark and wild, a doomed sense of quiet desperation ready to erupt. Much like Florida itself, there are unseen dangers lurking everywhere.For a short story collection to be so cohesive and consistently fulfilling is an achievement in and of itself. I felt melancholy turning the final page on these characters, leaving them to their rage and isolation and longing—those unsavory feelings that we all store deep within.

I LOVE reading all kinds of writing. Not so much this book. 11 “short stories” unfinished in my opinion. I like the way she writes....beautiful prose, prickly sentences, little mysteries for you to decider in a paragraph. These are all great beginnings to 11 books. 🤷🏼‍♀️ Short stories need better “endings” so I wouldn’t call them short stories, I’d call them first chapters to stories. I’m 3/4 the way through and don’t think I’ll finish.

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